Wild Bill exists where the borders between brand, film, event, song, and narrative disappear.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications.
— Marcel DuchampJames Lipetzky brings over two decades of directing and editing experience to his work, creating content for McDonald's, Gatorade, Microsoft, and many more.
His debut documentary feature, License To Operate, made an immediate mark upon its world premiere at the Seattle International Film Festival, earning the prestigious Audience Reaction Award before going on to claim Best Picture at the Highland Park Film Festival.
The film was selected for screening at the United Nations as a landmark example of restorative justice — celebrated for transforming former gang members into guardians of the very communities they once terrorized. It was subsequently acquired by Vice Channel for national distribution.
James has collaborated with Errol Morris on commercial work, and his directorial vision continues to shape how brands and human stories intersect.
Samantha Hart has spent decades at the intersection of culture and commerce, shaping the stories that define a generation. Her career began at Geffen Records — where she discovered that culture isn't manufactured, it's felt — before ascending to Hollywood marketing, where she launched some of the most acclaimed films of the era.
Working with directors including Richard Linklater, Steven Soderbergh, Kimberly Peirce, Joel & Ethan Coen, and Kevin Smith, she shepherded films including Fargo, The Usual Suspects, Boys Don't Cry, and Meet the Parents.
A celebrated creative director and writer, Hart's work has earned some of the industry's most coveted honors, including the Gold Hugo Award. Her memoir Blind Pony earned a starred review from Kirkus and was named a Publisher's Weekly BookLife Prize finalist.
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